Isøla

Carlo Colombo has reworked a notable Rossana kitchen model from the 1960s, characterizing this new undertaking as ‘a suspected connected to art’.‎ The Isøla kitchen shows up as a solitary square however was not made to be a solitary piece of furniture.‎ Instead, it was planned as a genuine engineering structure comprised of shapes, subtleties and materials that meet each other to frame a sound entire that speaks with the remainder of encompassing environment.‎ Isøla can without much of a stretch be put in an open space, because of its capacity to interface with the space around it and adjust impeccably to the remainder of the outfitting scheme.‎ In this task, we track down a solid stylish and useful part that plays on vacant and full volumes in a progression of usable regions that can be joined in a horde of strange and unforeseen ways.‎ The creation and selection of materials are the support of this new Rossana project: marble parts consolidate with regions in solid wood and steel to shape a legitimate ‘piece of utilitarian art’.‎