Tanya

Roberto Lazzeroni was brought into the world in Pisa, is an exceptionally delicate draftsman and partakes in the marvels of reasonable craftsmanship and those of Radical Design.‎ He characterizes his style as wistful plan and without a doubt in his works the concurrence between the old, and the advanced is shrewd, there is no abundance of balance in the mathematical lines and no stylish redundancy.‎ In his works, one sees the consistent investigation of history and the reevaluation of his works according to the contemporary world.‎ The Tanya chair is obviously propelled by plan in northern Europe and the auto world, relaxed by the natural plan of Lazzeroni.‎ The legs in aluminum, in silk finish metallised anthracite, appear to help a flying pagoda seat.‎ Technically an extremely convoluted acknowledgment that necessary an infusion form, for the body as well as for the leg.‎ A blend of class and compositional references, checking out Jason from the side, you can feel neatness and practically Japanese simplicity.‎ Its idiosyncrasy lies in the way that it is worked bended in the base and in crafted by the top with three marbles (imperceptible dim, coppery-green, levanto red) of various consistency.‎ The engineer is extremely brief and direct in telling his works, he offers us ideas, as on account of Jason: June out the window .‎.‎.‎ the breeze has halted .‎.‎.‎ I’m befuddled in the event that you don’t care for jazz.‎ Or in any event, for Tanya: Hidden in the delusion of a light of the room.‎ Resume your dance